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Dionysus was studying photography at the University. He lived a couple of doors down from me in the historic Cooper Arms in downtown Long Beach. One night after I finished working a late shift at the Shorehouse Café, waiting on obnoxious drunks coming out of the bars, Dion was in the lobby, sitting on the edge of the security guard’s desk debating the solidarity movement.
He brushed his long blonde hair away from his face
and behind his ears
when he saw me walk in. I had never
talked to Dion before, just shared a friendly hello in the hallway. He spoke with a thick Polish accent. He was beautiful, looked like a young Julian
Sands.
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We became lovers that night, an affair that lasted a long time. I was such a serious student then that I told him not to come by until after 11 as I would be studying. I was studying cultural and intellectual history and had as many as 33 books to read per quarter sometimes. He always respected my wishes and came over shortly after 11 with a bottle of champagne.
I remember one night after too much champagne,
I played the Polish composer Henryk Gorecki's Symphony Number 3. Tom Schnabel,
a DJ at KCRW, was playing it on his world music show and the classical music
station, KUSC, had it in heavy rotation at the time. Dion knew of Gorecki and
became very animated; talking with his hands, moving to the floor in front of
the stereo to listen closely. His eyes lit up when I handed him the CD
cover. Sitting across from each other
cross-legged in front of my stereo, tears welled up in our eyes.
The symphony will make you cry. It is in three movements and is about a
mother, during Hitler's invasion of Poland, looking for her son she fears has been killed and is lying in a ditch
somewhere. There are parts that just have to be listened
to loud. The security guard came to the door during those parts and said
neighbors were complaining. We turned it down. The name Dionysus was perfect
for him, the god of wine, ritual and ecstasy. That was Dion.
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